In December 2010, they released their debut EP, Rudeboy (San City High Records), which featured the dubstep-leaning title track and a handful of accompanying remixes. It's a limitless sonic style DC and Hooks have crafted over the last decade and have experimented with across their expansive discography. ![]() While they're leaders in the worldwide bass community, Zeds Dead command a fluid sound that fuses diverse genres, from hard-hitting dubstep and throttling drum & bass to ethereal electronic and raw hip-hop. Led by the forward-thinking tastes of Zeds Dead, Bassmentality quickly became one of Canada's premier club nights and a go-to destination for the burgeoning electronic scene in North America, hosting early performances from today's foremost dance music artists, including Skrillex, Borgore and Nero, among many others. In 2009, they launched Bassmentality, a weekly event series held in a small Toronto bar that showcased the emerging sounds and artists bubbling up from the dubstep and bass global underground. Alongside their blossoming career as artists, Zeds Dead were also establishing themselves as independent players within the local club circuit. ![]() Their self-released debut song as Zeds Dead, the electro-powered "Journey of a Lifetime," came in October 2009. ![]() After discovering electronic music while in college, the two switched lanes and formed Zeds Dead, in which they combined their passion for hip-hop attitude and swagger with the frenetic energy of electronic music. They first joined forces as a duo in 2004 via their hip-hop-leaning project, Mass Productions, which produced Fresh Beetz, a full-length album of instrumentals and rap beats, in 2007. Named after an iconic line from Quentin Tarantino's 1994 classic film, Pulp Fiction, Zeds Dead was born out of the lifelong friendship and creative bond of Mamid and Rapp-Rovan, known on dance floors across the world simply as DC and Hooks, respectively. Today, Zeds Dead continue to push electronic music forward via their innovative sonic style as well as their trendsetting Deadbeats Records, one of the leading indie labels in dance music that has since become its own lifestyle brand and live events powerhouse. Their extensive discography - which includes multiple breakout singles, EPs, and remixes and their genre-defying debut album, Northern Lights - has earned them hundreds of millions of cross-platform streams and has notched them dozens of Top 20 hits across the Billboard charts. Formed in 2009 in Toronto, Canada, by producers/DJs Dylan "DC" Mamid and Zachary "Hooks" Rapp-Rovan, Zeds Dead have continually pushed the boundaries of electronic music culture via their ever-evolving sound and curatorial vision. But 2021’s Catching Z’s, part of a long-running series of chill-out mixtapes, proved that cozy vibes come just as naturally."Toronto duo Zeds Dead have been running the bass game for nearly a decade." - Billboard One of the most successful independent acts in today's global dance music scene, Zeds Dead is a pioneering, JUNO-Award-nominated electronic duo hailed as "trailblazers of the modern North American bass scene" ( DJ Mag). The EDM world changed considerably in the second half of the 2010s, with big-room styles softening and slowing, but Zeds Dead stayed true to their hard-hitting signature on cuts like 2019’s serrated “Shake,” with Jauz, and 2020’s PEEKABOO collab “POWA,” a throwback to classic dubstep in all its face-melting menace. ![]() But Northern Lights showed just how far they were capable of pushing their sound, with features from electro-poppers Dragonette, Clipse’s Pusha T, and even Weezer’s Rivers Cuomo rounding out winsome dance-rock (“Stardust,” featuring Twin Shadow), unsparing dubstep (“Already Done,” featuring Ghetts), and euphoric melodic bass (the Diplo collaboration “Blame,” featuring Elliphant). Over the next few years, Zeds Dead were so busy smashing festival stages and collaborating with artists like Omar LinX, Oliver Heldens, and LOUDPVCK-that they didn’t get around to releasing their debut LP until 2016. Then, in 2009, they borrowed a withering line from Quentin Tarantino’s 1994 film Pulp Fiction (“Zed’s dead, baby.”) and pivoted to a more electronic sound, specializing in a lean, mean fusion of electro-house, breaks, and dubstep on labels like Diplo’s Mad Decent and Steve Aoki’s Dim Mak. The duo of DC (Dylan Mamid) and Hooks (Zachary Rapp-Rovan) got their start making hip-hop as Mass Productions in 2004. Mixing hip-hop, jungle, house, bass, and more, the Toronto duo’s music is a beaker teeming with unexpected compounds. Zeds Dead perfectly exemplify EDM’s mischievously hybrid spirit.
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